Every
year at this time, film enthusiasts from around the globe begin making
predictions, planning viewing parties and criticizing Academy members for
overlooking their personal favorite as the Oscar nominations are announced. While
most of the nominees come as no surprise, there are always a few shockers that
are thrown into the mix. Many times, films and actors are nominated that have
received very little publicity and recognition or had scarce viewing
opportunities due to limited distribution. This year, the imaginative and
powerful independent film, Beasts of the
Southern Wild, made its way into the hearts of the Academy while remaining
relatively unnoticed by the rest of the world. The LA Times reports on the struggles the film encountered with unknown
and inexperienced actors relaying the vision of relative newcomer, Behn
Zeitlin. Beasts was made on a $1.5
million budget and struggled to find appropriate crew and equipment. Worldwide
distribution was not considered to be a reality by the director and producers
when they entered the 2012 Sundance Film Festival until the film and its breakout
star, 8-year-old Quvenzhané Wallis, captured the hearts of the jurors, the
audience and coincidentally, Fox Searchlight Studios.
http://www.imdb.com/title/tt2125435/ |
Katey
Rich of Cinemablend.com describes
the magic Beasts of the Southern Wild
created that led to a 6 minute standing ovation, the Grand Jury Prize and
executives from Fox Searchlight to offer a distribution deal before the
festival even ended. Fox Searchlight has a reputation for bringing darling
independent films such as Little Miss Sunshine,
which would ordinarily go unnoticed, into the lives of the public. Beasts was released June 29, 2012 in
limited markets to fair reviews and is still an unknown to mass audiences.
While
everyone loves an underdog, many times those stories cannot be made or viewed
by the masses due to the difficulty in obtaining a distribution deal. IMDb revealed a total of 110 feature
length films were entered into Sundance in 2012 with only 30 securing deals
with studios for distribution, many only limited releases. Stories such as Beasts of the Southern Wild showcase how
important it is to have a studio sign on to distribute but simultaneously demonstrates
how easily they can still slip under the radar of the general public. In a
statement I very rarely admit and will certainly deny in the future, the
members of the Academy shed a beacon of light on this beautiful film. Where it
would otherwise have gone unnoticed, the usually elitist group will allow this
small and scarcely distributed film to enter the lives of audiences around the
world.
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